Set against the backdrop of a family-run Jamaican eatery, Daniel J. Carver’s powerful drama delves into the experiences of Black British men across three generations. On one hand, the streets outside are filled with unrest following a brutal police incident involving a Black teenager; inside, we witness a more personal conflict among a grandfather, father, and son.
The play unfolds in a Jamaican takeaway, where grandfather Sydney (Everal A. Walsh), father Malcolm (Carver), and son Luther (Jayden Hanley) grapple with their identities as Black British men. While the tensions between family members are laid bare, the narrative takes some time to pick up momentum. Directed by Jay Zorenti-Nakhid, the early scenes delve into heavy ideological debates about fighting for change, the justification of violence, and the impact of racism on their lives.
However, the script soon shifts its focus, delving into more emotionally nuanced territory. The clash of generations is vividly illustrated through the takeaway setting: Malcolm seeks to modernize the business with delivery options, while Sydney clings to a more traditional approach that fosters community. Meanwhile, Luther brings in some Gen Z flair with ideas about vegan choices.
Moments of levity arise between grandson and grandfather, showcasing a heartwarming chemistry that adds charm to the narrative. Yet, despite these lighter episodes, the play does not shy away from exploring deeper, darker themes that resonate with authenticity and poignancy.
Carver’s work does not gloss over the enduring impact of systemic racism on Black masculinity. Sydney’s life is marked by overt abuse, leaving scars that profoundly affect his family, revealing critical truths as the plot unfolds. Malcolm, consumed by the injustices of the system, resorts to violence, while Luther, depicted as a gentle fashion student, seeks his own path amidst these familial struggles.
Malcolm takes center stage as the troubled provocateur, grappling with anger directed at both his father for his absence during childhood and his son for not conforming to his expectations of masculinity. The complexity of his character elicits sympathy, a testament to Carver’s writing and the exceptional performances from the cast. Each character embarks on their unique, challenging journey, often expressed through distinct generational and cultural dialects.
One of the standout moments involves an intense confrontation between father and son that uncovers unforeseen revelations about sexuality. Set in the late hours of the takeaway when no food is served, the men’s frustrations simmer as they face off against one another. The atmospheric stage design by Amanda Mascarenhas, featuring a menu highlighting traditional dishes, adds to the setting’s authenticity.
While the play culminates in melodrama, it offers little in terms of catharsis. Life continues on, leaving much unsaid, but for this night, at least, these men find a moment of release. The production runs until November 2.